Product Overview
A newly compiled anthology of Decca recordings on Eloquence surveys the healthy state of Handel singing in England in the 1960s, before this music became the preserve of musicians and singers within the period-instrument movement. This generous (145-minute) collection is based around a pair of newly re-mastered recital albums made by the contralto Bernadette Greevy and the bass Forbes Robinson. Greevy was a true contralto in the tradition of Kathleen Ferrier, Helen Watts, Janet Baker and Norma Procter. Her 1965–56 recital was drawn from a wide range of Handel’s Italian operas (Ottone, Partenope, Alcina, Admeto, Rodelinda, Rinaldo, Atalanta), and it displayed the richness of her voice to fullest advantage, as well as formidable vocal technique and excellent Italian diction. Robinson’s 1966 recital represents a wide spectrum of the composer’s music in opera, ode, masque and oratorio from 1719 through the 1740s, including familiar favourites (‘O ruddier than the cherry’ in Acis and Galatea) alongside much rarer delights such as ‘Si, tra i ceppi’ from the early Berenice. Decca led the way in the Handel revival of the 1950s. A trail-blazing Messiah, conducted by Sir Adrian Boult, presented the oratorio in an authentic version with up-to- date scholarship. It was followed by Sosarme and Semele on the label’s early-music imprint, L’Oiseau-Lyre. The very first L’Oiseau-Lyre stereo LP was ‘Music of Handel’, issued in January 1959 and excerpted here. It featured two well-established British singers, the tenor William Herbert and the bass Hervey Alan. There was also the newcomer from Australia, Joan Sutherland: the two Handel arias from Alcina she recorded for L’Oiseau-Lyre was her very first recording for the Decca group. Some of her freshest singing dates from her early years, with the 1958 and 1959 Handel performances representing her vocal art at its purest. The compilation is completed with Sutherland in full flight, excerpted from the 1964 Giulio Cesare and the two albums that made her name, ‘The Art of the Prima Donna’ (1960) and ‘The Art of Bel Canto’ (1964). Tracklisting CD 1 Ottone: Vieni, o figlio Partenope: Voglio dire Alexander Balus: Convey me to some peaceful shore Alcina: Verdi prati Ottone: La speranza Admeto: Cangio d’aspetto Rodelinda: Dove sei Rinaldo: Lascia ch’io pianga Atalanta: Care selve Clori, Tirsi e Fileno: Come la rondinella B ernadette Greevy, contralto Alcina: Tornami a vagheggiar Alcina: Ombre pallide Giulio Cesare: V’adoro, pupille Giulio Cesare: Da tempeste il legno infranto Samson: With plaintive note Samson: Let the bright seraphim Joan Sutherland, soprano CD 2 Esther: Tune your harps to cheerful strains- W illi am Herbert, tenor Esther: Turn not, O Queen, thy face away- Hervey Alan, bass Alexander’s Feast: Revenge, Timotheus cries Ezio: Se un bell’ardire Susanna: Peace crown’d with roses Hercules: The God of Battle Acis and Galatea: O ruddier than the cherry- Theodora: Wide spread his name Judas Maccabaeus: Arm, arm ye brave- Berenice: Si, tra i ceppi- Semele: Leave me, loathsome light Alcina: Pensa a chi geme Samson: Honour and arms Forbes Robinson, bass
